Charles Dickens. Dombey and Son (chapter 1-30)
Dombey, exulting in the long-looked-for event, jingled and jingled the heavy gold watch-chain that depended from below his trim blue coat, whereof the buttons sparkled phosphorescently in the feeble rays of the distant fire. Son, with his little fists curled up and clenched, seemed, in his feeble way, to be squaring at existence for having come upon him so unexpectedly.
'The House will once again, Mrs Dombey,' said Mr Dombey, 'be not only in name but in fact Dombey and Son;' and he added, in a tone of luxurious satisfaction, with his eyes half-closed as if he were reading the name in a device of flowers, and inhaling their fragrance at the same time; 'Dom-bey and Son!' The words had such a softening influence, that he appended a term of endearment to Mrs Dombey's name (though not without some hesitation, as being a man but little used to that form of address): and said, 'Mrs Dombey, my - my dear.' A transient flush of faint surprise overspread the sick lady's face as she raised her eyes towards him.
'He will be christened Paul, my - Mrs Dombey - of course.' She feebly echoed, 'Of course,' or rather expressed it by the motion of her lips, and closed her eyes again.
'His father's name, Mrs Dombey, and his grandfather's! I wish his grandfather were alive this day! There is some inconvenience in the necessity of writing Junior,' said Mr Dombey, making a fictitious autograph on his knee; 'but it is merely of a private and personal complexion. It doesn't enter into the correspondence of the House. Its signature remains the same.' And again he said 'Dombey and Son, in exactly the same tone as before.
What the Waves were always saying
Paul had never risen from his little bed. He lay there, listening to the noises in the street, quite tranquilly; not caring much how the time went, but watching it and watching everything about him with observing eyes.
When the sunbeams struck into his room through the rustling blinds, and quivered on the opposite wall like golden water, he knew that evening was coming on, and that the sky was red and beautiful. As the reflection died away, and a gloom went creeping up the wall, he watched it deepen, deepen, deepen, into night. Then he thought how the long streets were dotted with lamps, and how the peaceful stars were shining overhead. His fancy had a strange tendency to wander to the river, which he knew was flowing through the great city; and now he thought how black it was, and how deep it would look, reflecting the hosts of stars - and more than all, how steadily it rolled away to meet the sea.
As it grew later in the night, and footsteps in the street became so rare that he could hear them coming, count them as they passed, and lose them in the hollow distance, he would lie and watch the many-coloured ring about the candle, and wait patiently for day. His only trouble was, the swift and rapid river. He felt forced, sometimes, to try to stop it - to stem it with his childish hands - or choke its way with sand - and when he saw it coming on, resistless, he cried out! But a word from Florence, who was always at his side, restored him to himself; and leaning his poor head upon her breast, he told Floy of his dream, and smiled.
When day began to dawn again, he watched for the sun; and when its cheerful light began to sparkle in the room, he pictured to himself pictured! he saw - the high church towers rising up into the morning sky, the town reviving, waking, starting into life once more, the river glistening as it rolled (but rolling fast as ever), and the country bright with dew. Familiar sounds and cries came by degrees into the street below; the servants in the house were roused and busy; faces looked in at the door, and voices asked his attendants softly how he was. Paul always answered for himself, 'I am better. I am a great deal better, thank you! Tell Papa so!' By little and little, he got tired of the bustle of the day, the noise of carriages and carts, and people passing and repassing; and would fall asleep, or be troubled with a restless and uneasy sense again - the child could hardly tell whether this were in his sleeping or his waking moments of that rushing river. 'Why, will it never stop, Floy?' he would sometimes ask her. 'It is bearing me away, I think!' But Floy could always soothe and reassure him; and it was his daily delight to make her lay her head down on his pillow, and take some rest.
The Wedding
And now, the mice, who have been busier with the prayer-books than their proper owners, and with the hassocks, more worn by their little teeth than by human knees, hide their bright eyes in their holes, and gather close together in affright at the resounding clashing of the church-door. For the beadle, that man of power, comes early this morning with the sexton; and Mrs Miff, the wheezy little pew-opener - a mighty dry old lady, sparely dressed, with not an inch of fulness anywhere about her - is also here, and has been waiting at the church-gate half-an-hour, as her place is, for the beadle.
A vinegary face has Mrs Miff, and a mortified bonnet, and eke a thirsty soul for sixpences and shillings. Beckoning to stray people to come into pews, has given Mrs Miff an air of mystery; and there is reservation in the eye of Mrs Miff, as always knowing of a softer seat, but having her suspicions of the fee. There is no such fact as Mr Miff, nor has there been, these twenty years, and Mrs Miff would rather not allude to him. He held some bad opinions, it would seem, about free seats; and though Mrs Miff hopes he may be gone upwards, she couldn't positively undertake to say so.
Busy is Mrs Miff this morning at the church-door, beating and dusting the altar-cloth, the carpet, and the cushions; and much has Mrs Miff to say, about the wedding they are going to have. Mrs Miff is told, that the new furniture and alterations in the house cost full five thousand pound if they cost a penny; and Mrs Miff has heard, upon the best authority, that the lady hasn't got a sixpence wherewithal to bless herself. Mrs Miff remembers, like wise, as if it had happened yesterday, the first wife's funeral, and then the christening, and then the other funeral; and Mrs Miff says, by-the-bye she'll soap-and-water that 'ere tablet presently, against the company arrive. Mr Sownds the Beadle, who is sitting in the sun upon the church steps all this time (and seldom does anything else, except, in cold weather, sitting by the fire), approves of Mrs Miff's discourse, and asks if Mrs Miff has heard it said, that the lady is uncommon handsome? The information Mrs Miff has received, being of this nature, Mr Sownds the Beadle, who, though orthodox and corpulent, is still an admirer of female beauty, observes, with unction, yes, he hears she is a spanker - an expression that seems somewhat forcible to Mrs Miff, or would, from any lips but those of Mr Sownds the Beadle.
The Thunderbolt
The barrier between Mr Dombey and his wife was not weakened by time.
Ill-assorted couple, unhappy in themselves and in each other, bound together by no tie but the manacle that joined their fettered hands, and straining that so harshly, in their shrinking asunder, that it wore and chafed to the bone, Time, consoler of affliction and softener of anger, could do nothing to help them. Their pride, however different in kind and object, was equal in degree; and, in their flinty opposition, struck out fire between them which might smoulder or might blaze, as circumstances were, but burned up everything within their mutual reach, and made their marriage way a road of ashes.
Let us be just to him. In the monstrous delusion of his life, swelling with every grain of sand that shifted in its glass, he urged her on, he little thought to what, or considered how; but still his feeling towards her, such as it was, remained as at first. She had the grand demerit of unaccountably putting herself in opposition to the recognition of his vast importance, and to the acknowledgment of her complete submission to it, and so far it was necessary to correct and reduce her; but otherwise he still considered her, in his cold way, a lady capable of doing honour, if she would, to his choice and name, and of reflecting credit on his proprietorship.
Now, she, with all her might of passionate and proud resentment, bent her dark glance from day to day, and hour to hour - from that night in her own chamber, when she had sat gazing at the shadows on the wall, to the deeper night fast coming - upon one figure directing a crowd of humiliations and exasperations against her; and that figure, still her husband's.
Was Mr Dombey's master-vice, that ruled him so inexorably, an unnatural characteristic? It might be worthwhile, sometimes, to inquire what Nature is, and how men work to change her, and whether, in the enforced distortions so produced, it is not natural to be unnatural. Coop any son or daughter of our mighty mother within narrow range, and bind the prisoner to one idea, and foster it by servile worship of it on the part of the few timid or designing people standing round, and what is Nature to the willing captive who has never risen up upon the wings of a free mind - drooping and useless soon - to see her in her comprehensive truth!
Way Station
1
The noise was ended now. The smoke drifted like thin, gray wisps of fog above the tortured earth and the shattered fences and the peach trees that had been whittled into toothpicks by the cannon fire. For a moment silence, if not peace, fell upon those few square miles of ground where just a while before men had screamed and torn at one another in the frenzy of old hate and had contended in an ancient striving and then had fallen apart, exhausted.
For endless time, it seemed, there had been belching thunder rolling from horizon to horizon and the gouted earth that had spouted in the sky and the screams of horses and the hoarse bellowing of men; the whistling of metal and the thud when the whistle ended; the flash of searing fire and the brightness of the steel; the bravery of the colors snapping in the battle wind.
Then it all had ended and there was a silence.
But silence was an alien note that held no right upon this field or day, and it was broken by the whimper and the pain, the cry for water, and the prayer for death- the crying and the calling and the whimpering that would go on for hours beneath the summer sun. Later the hupled shapes would grow quiet and still and there would be an odor that would sicken all who passed, and the graves would be shallow graves.
There was wheat that never would be harvested, trees that would not bloom when spring came round again, and on the slope of land that ran up to the ridge the words unspoken and the deeds undone and the sopen bundles that cried aloud the emptiness and the waste of death.
There were proud names that were the prouder now, but now no more than names to echo down the ages - the Iron Brigade, the 5th New Hampshire, the 1st Minnesota, the 2nd Massachusetts, the 16th Maine.
And there was Enoch Wallace.
He still held the shattered musket and there were blisters on his hands. His face was smudged with powder. His shoes were caked with dust and blood.
He was still alive.
CRIME AND PUNISHMENT
PART I
CHAPTER I
On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge.
He had successfully avoided meeting his landlady on the staircase. His garret was under the roof of a high, five-storied house and was more like a cupboard than a room. The landlady who provided him with garret, dinners, and attendance, lived on the floor below, and every time he went out he was obliged to pass her kitchen, the door of which invariably stood open. And each time he passed, the young man had a sick, frightened feeling, which made him scowl and feel ashamed. He was hopelessly in debt to his landlady, and was afraid of meeting her.
This was not because he was cowardly and abject, quite the contrary; but for some time past he had been in an overstrained irritable condition, verging on hypochondria. He had become so completely absorbed in himself, and isolated from his fellows that he dreaded meeting, not only his landlady, but anyone at all. He was crushed by poverty, but the anxieties of his position had of late ceased to weigh upon him. He had given up attending to matters of practical importance; he had lost all desire to do so. Nothing that any landlady could do had a real terror for him. But to be stopped on the stairs, to be forced to listen to her trivial, irrelevant gossip, to pestering demands for payment, threats and complaints, and to rack his brains for excuses, to prevaricate, to lie--no, rather than that, he would creep down the stairs like a cat and slip out unseen.
This evening, however, on coming out into the street, he became acutely aware of his fears.
"I want to attempt a thing _like that_ and am frightened by these trifles," he thought, with an odd smile. "Hm... yes, all is in a man's hands and he lets it all slip from cowardice, that's an axiom. It would be interesting to know what it is men are most afraid of. Taking a new step, uttering a new word is what they fear most.... But I am talking too much. It's because I chatter that I do nothing. Or perhaps it is that I chatter because I do nothing. I've learned to chatter this last month, lying for days together in my den thinking... of Jack the Giant-killer. Why am I going there now? Am I capable of _that_? Is _that_ serious? It is not serious at all. It's simply a fantasy to amuse myself; a plaything! Yes, maybe it is a plaything."
CUSTOM AND MYTH
INTRODUCTION.
Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order. During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology. That method is based on the belief that myths are the result of a disease of language, as the pearl is the result of a disease of the oyster. It is argued that men at some period, or periods, spoke in a singular style of coloured and concrete language, and that their children retained the phrases of this language after losing hold of the original meaning. The consequence was the growth of myths about supposed persons, whose names had originally been mere 'appellations.' In conformity with this hypothesis the method of comparative mythology examines the proper names which occur in myths. The notion is that these names contain a key to the meaning of the story, and that, in fact, of the story the names are the germs and the oldest surviving part.
The objections to this method are so numerous that it is difficult to state them briefly. The attempt, however, must be made. To desert the path opened by the most eminent scholars is in itself presumptuous; the least that an innovator can do is to give his reasons for advancing in a novel direction. If this were a question of scholarship merely, it would be simply foolhardy to differ from men like Max Muller, Adalbert Kuhn, Breal, and many others. But a revolutionary mythologist is encouraged by finding that these scholars usually differ from each other. Examples will be found chiefly in the essays styled 'The Myth of Cronus,' 'A Far travelled Tale,' and 'Cupid and Psyche.' Why, then, do distinguished scholars and mythologists reach such different goals? Clearly because their method is so precarious. They all analyse the names in myths; but, where one scholar decides that the name is originally Sanskrit, another holds that it is purely Greek, and a third, perhaps, is all for an Accadian etymology, or a Semitic derivation. Again, even when scholars agree as to the original root from which a name springs, they differ as much as ever as to the meaning of the name in its present place. The inference is, that the analysis of names, on which the whole edifice of philological 'comparative mythology' rests, is a foundation of shifting sand. The method is called 'orthodox,' but, among those who practise it, there is none of the beautiful unanimity of orthodoxy.